Edgelands: Near to Home

I am particularly intrigued by the element of mystery which surrounds derelict suburban sites and wilderness areas. This land is the intersection between bustling city life and serene country landscapes. Neither ‘urban’ or ‘rural’, the land is characterised by its decaying matter and sprouting overgrowth. Each area of edgeland that has been built upon holds a story or a piece of history. Despite its ran down appearance, there is a lot that can be interpreted from what is left; leaving it to the viewer’s imagination to question what was before. These places feel familiar. Usually taken for granted on our daily commutes, they can easily go unnoticed. By producing drawings from a human eye perspective, the viewer is encouraged to focus upon the vast detail and eclectic nature which make up these dynamic landscapes. The goal is to shed light onto the close proximity of these places and emphasise the idea that edgelands are not futile but areas that should be valued for their uncanny charm.

I have produced a series of drawings which depict scenes of industrial areas, parks, derelict buildings and train stations. I am inspired by the ideas expressed by Paul Farley and Michael Symmons Roberts in the book ‘Edgelands’; where a discussion can be raised regarding how such places can be defined and interpreted. It is as if time moves at a different pace within these spaces whilst exhibiting very few signs of human life. Often overlooked, my drawings aim to celebrate the curiosity and so-called imperfections surrounding such environments.